Illinois River Project

Catching invasive fish in Illinois River, Invasive fish decomposition, fishbone meal, soil testing, environmental remediation in South Bronx, 2006-2018

Artist photobook, 100 pages, 17 x 11 inches [43,1 x 29,7 cm], 2017

The Illinois River Project is an interdisciplinary project that aims to better the lives of individuals with a criminal record through confronting the ecology of the Illinois River, generating compost and clean up polluted soil. These seemingly disparate issues are actually intimately related and, I believe, are cyclically intertwined. It is my artistic advantage to work with and across different sectors and constituents that I believe will make a meaningful impact to each of these circuits.

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Asian Carp Catch

2017

Gyotaku (ink on Japanese rice paper), 33.5 x 18 inches [ 85 x 45.75 cm], series of 5, 2017

Conversion Prototype 1.2

2016

Mosquito net, black soldier flies, plastic container, Speedrail, 35 gallon aquarium, convict cichlids, sump pump, PVC pipe, fluorescent daylight bulbs, fluorescent black light, light timer, heart-shaped philodendron, refrigerator, invasive carp, extension cords

A system that breaks down invasive carp bodies, feeds fish, cleans water with hydroponic plants

Presented in

Open Studios
Triangle Arts
Brooklyn, NY
December 2016

Agro-Alchemy

2017

Black soldier fly larva and flies in resin, 11 dia x 0.5 inches [29,5 dia x 1 cm], 2017

Black soldier flies have gained status as a rapid waste processor, replacing other forms of composting and vermicultures at agriculture sites. The byproduct is applicable as soil amendment; the larva serve as chicken feed; as a source of protein, they are being tested for human consumption.

Acquisition Prototype #3 Vó Bè

2016

 

Bamboo, fishing net, 28 x 6 x 18' [8,53 x 1,82 x 5,48 m], 2016

Traditional Việt fishing apparatus constructed and donated to a community pond in Củ Chi, Việt Nam

Acquisition Prototype #2.1 Nearsighted Porcupine

2016

 

Football pads with fishing spears, jetski helmet, 3D camera, 50 watt megaphone, media player with sine wave audio track, fishing net, 2016

Prototype #2, River Rat, is a wearable solution to invasive carp in the Illinois waterway. Part defense, part solution for reducing the overpopulation of invasive carp that jump from the water, River Rat is an inexpensive and practical suit.

Presented

Redneck Fishing Tournament
Bath, Illinois
July 2016

 

Acquisition Prototype #1.2 Reproducible Vehicle At Any Nearby Home Depot Store

2015

 

Aluminum jon boat with additional fish-catching apparatus, wooden saw horses, 24 x 17 x 12 feet [7,3 x 5,2 x 3,6 m],  2015

Prototype #1 for catching sound-activated flying invasive Hypophthalmichthys molitrix.

The outboard motor scares the carp, causing them to leap from the water. Those which encounter the harp on the bow of the bow pound into the boat, turning the entire vessel into an acoustic device. The stake-studded protrusions present a wall of defense from the flying fish. This prototype is budgeted to be replicable for under $1,000 USD with components from the national chain Home Depot®. Lightweight and collapsible, prototype 1.2 is comprised primarily of aluminum. 

Anyone can download the instructions to make this vehicle here.

Hg (Mercury) Cycle

2015

Gold, cinnabar, mercury thermostat, fish roe, NYC rain water, human ashes, bricks from factories that smelt lead, plexiglass, 8 x 2.75 x 6 inches [20,32 x 5,08 x 15,24 cm], 2015

The included materials are sourced from the production, byproduction, absorption and biomagnification of mercury’s through its cycle on planet earth. 

bookEnd

2014

iPad in cradle; wooden book on marble table top mounted on Mac Pro chassis; collection of ten books unfinished at the time of the authors’ death with endings written in epub format; first digital editions of William Morris books (available on iTunes); Wooden book pages and content correlates to the iPad’s digital book, recounts the lifespan of the codex from scroll to disposal and recycling, the codex’s creation and organizational schemes, the introduction of the electronic readers, and history of artist books, 19 x 28 x 20 inches [48,2 x 71,1 x 50,8 cm], 2014
 

“Book End,” recounts the lifespan of the book from from scroll to the codex and its later elimination and recycling, its creation and organizational schemes, as well as the introduction of the electronic reader. iPad also houses first digital editions of William Morris books (available on iTunes), and digital endings for the 10 unfinished books that accompany the sculpture.

Presented in:

"Fellows"
Curated by Alexander Campos
Center for Book Arts
New York, NY
September 9-December 21, 2014

"En Masse: Books Orchestrated" 
Curated by Osman Can Yerebakan
Center for Book Arts
New York, NY
April 21-July 1, 2017

'Gravitation' on the Electromagnetic Spectrum V1

2015

Handmade artists book made with IR and UV ink markers, legible with supporting readers and display, 20 pages of semi-transparent folio paper with colors corresponding visible wavelengths, bound in black velvet, 20 x 14 inches (50.8 x 35.5 cm), edition of 1, 2015

"‘Gravitation’ On The Electromagnetic Spectrum," is  inspired by the illustrations and diagrams of “Gravitation” (Misner, Thorne, Wheeler), pertaining to black holes. Each drawing contains information drawn in infrared or ultraviolet ink, which can be seen only with additional visual aids.

Special thanks: Dr. Artur Garcia Saez, Ph. D. 

Permanent collection of the Center of Book Arts, New York USA

Presented in:

"Then & Now"
Curated by Alexander Campos
Center for Book Arts, New York
March-July 2015
 

"Then & Now"
Curated by Alexander Campos
College of New Rochelle
September 8-November 1, 2015

 

'Gravitation' on the Electromagnetic Spectrum v2

2015

Print on demand artist book with diagrams completed with hand-drawn UV ink visible with a black light. 100 pages. 8.5 x 11 inches (21.3 x 28 cm), edition of 100, 2015

Hand drawn illustrations and diagrams of “Gravitation” (Misner, Thorne, Wheeler), pertaining to black holes completed with ultraviolet ink, which can be visible with a black light. 

 

'Gravitation' on the Electromagnetic Spectrum v3

2017

Hard case handmade artist book with printed diagrams and illustrations completed in ultraviolet ink visible under black light 60 pages, 5.8 x 8.5 inches (14.5 x 22.3 cm), edition of 2, 2017

 

'Gravitation' on the electromagnetic spectrum v4

2018

Softcover handmade artist book with printed diagrams and illustrations completed in ultraviolet ink visible under black light 50 pages, 5.5 x 8.5 inches (13.9 x 22.3 cm), edition of 1, collection of 9, 2018

Mac mini with hard drive backup, solar panel, uninterrupted power supply, backup software, checksum software and web cam, climate-controlled vitrine, brass weather station, Madagascar cockroaches, 19th Century book, (Rollo’s Travels) bound in calfskin with matzo casing, plexiglass vitrines.

The project materializes the process of converting information from physical to digital formats, as well as the barriers and considerations (both physical and digital) in maintaining integrity of this information as an archive. Over the course of the exhibition the cockroaches consumed the book. The resulting 72-days time lapse images captures the disintegration of the book through the fail-safe electronic system in an adjacent vitrine. Video plays 23 minutes, 2014
 

Imagined Bonds, Impossible Escape

2013

Borosilicate glass, praying mantis eggs, black widow eggs, dimensions vary, 2013

This collection of works imagines the collision of two theoretical zones: neuroscience's explanation of human bonds and astrophysicist's explanation of black holes. The moment of collision is seen through the visualization of bonds via models neurotransmitters and the visualization of mathematics via models of black holes extrapolated into imagining the extensions of both--emotions and love passing into an event horizon. Collection of art works, dimensions vary, 2013

Performance with installation including multitrack audio, writing, Berlin, Germany, 2012

The first radio station in Berlin broadcast from voxstraße in 1928, employing a marble-carved microphone built by Eugene Reisz and George Neumann, who later developed the condenser microphone and bottle microphone. The conjunction of Germany's beer brewing and recycling efforts results, in certain neighborhoods, in the proliferation of empty bottles along sidewalks. The bottles are left to be collected, recycled and money gained, ostensibly by a person or persons who units of time/cost are measured by the distance between bottles, rather than the consumption of the volume within the bottle.

The stonework of the streets and sidewalks suggest a history of expanding, using and reusing, allocating and signaling the movement of people throughout the city. Cobblestones lie next to brick lanes bordered in cement; the asphalt outlined by a strip of stone that dams an area of square granite. A subtle effect is the sound a step might make or not make. It may inform the type of shoes one decides to wear, or the method of transportation and by extension quantification of distance. It may affect the drainage of rain in this often gray city, and the reception of green grass or gray sand. There is a primacy to this surface level in Berlin, as the limited building height and flatness of the terrain gives a sprawling characteristic that compounds a sense of spatial openness at a single location and an endless suburban expanse in non-locations

Audio recording of notes walking from site of exhibition to the Vox Straße, where the first German Radio was broadcast. The sound of bottles collected during the walk was captured via a Neumann microphone, the inventor of German audio microphones.

This work was made with support from Sound Development City; audio read by Maria Guggenbichler

Multi-stage performance with audio installation component, 2012

During the London Olympics the hired guards were questioned about the URL to acquire tickets to the events via a microphone at a bridge leading into the complex. These exchanges were documented in video form and uploaded. The URL was printed and hung near the site of the exchange. During the exhibition opening, a battering ram was constructed for the period of three hours in front of an Olympic complex bridge entrance. Being assembled just outside of bridge where guards stood, just feet outside a metal fence crowned with barbed wire and standing about a moat, the local police were called to inspect. The inspection was utilized to discuss gentrification, international and national finances of the olympics, parties interested, gang relations, power structures and the police's own involvement in the olympics games--all of which was documented. The final stage of the work followed the relocation of the building materials away from the entrance and just beyond the purview of the guards, where sound recordings of the hammering of the wood were looped and amplified via megaphone.

3-night performance of mobile video projections, 2012

Over the course of three nights, panoramic videos were projected from a moving truck that traversed the Manhattan's Grid. Captured roughly a year before during the Doppelgänger Effect (2011), these videos showed different the experience a day within the Cartesian plane. The videos were made manifest via a custom-made 7,000 lumens video projector mounted with a dual-mirror head.  Between 12 midnight and 5 am, moving images of the cityscape were cast onto the buildings' faces.

Doppler Shifts, HD digital video 21 minute video, 2013

Making use of the documentary footage shot during the multiple nights of projection, this video ties together shared characteristics of the built environment of the Manhattan Grid.

 

Doppler Shifts, project book, 8 x 10 inches [20.3 x 25.4 cm], 308 page book, 2014

The encyclopedic scope of this book includes the entire project from proposal, funding, prototyping and execution. 

 

Broadcast/recording performance, Manhattan Grid, 4 days, 34 miles, 2011

Over four days, at four different times, I traversed the Manhattan Grid from 1st Street at Avenue D to 155th Street at 12th Avenue, broadcasting audio as I went. The chosen form of transportation was a tandem bicycle that I had altered by adding one forward- and one rear-oriented megaphone as well as substituting the second seat for a camera. The camera was mounted with a parabolic mirror lens that captured the entire journey in complete panorama. A stereo recorder was also capturing the echoes and urban noise of the traversal. 

 
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iCompost

Digital and soft-cover print-on-demand book, 5.25 x 8.25 inches [13.335 x 20.955 cm], 2018

A questionnaire guides the reader to the best composting system. Each composting system includes a list of materials and space requirements, how-tos, best practices and troubleshooting.

Available on Amazon

Exploring The Dangerous Trades

by Dr.  Alice Hamilton
306 pages with photographs by DHP Daedalus, 2017

The autobiography by the pioneer of occupational medicine that covers many of the most important historical events of the first half of the 20th Century, told in stunning clarity and resounding prose. This work is historically relevant to ecologists, activist, historians, chemists, biologist and anyone looking back into American history. The themes are relevant today and elucidate the ongoing struggles of our societal balance between work and living. This edition has been masterfully re-created for iPad and iBooks and includes never before seen photographs by artist Donald Hải Phú Daedalus.

 

$2.99 Available in the iBookstore

“Illinois River Project,” artist booklet, 8 pages, 5.5 x 11 inches, 2015

 

Edition of 500

 

Collages and text regarding stage 1 of the Illinois River Project, the reproducible vehicle and history of the invasive fish.

$5. To Purchase contact the Artist

 

dopplershifts_cover.jpg

Doppler Shifts
8 x 10 inches, 308 page book (ISBN 978-1-300-43228-9), 2014.
Each copy comes signed and numbered with a certificate of authenticity and letter of provenance.

Doppler Shifts documents the 2012 eponymous project in New York City. Over the course of three nights, "Doppler Shift" was comprised of almost 4 hours of video projections that were cast on buildings across the Manhattan Grid, creating an unexpected encounter with art.

Edition of 100.  $75 hard cover.
To purchase please contact the artist

wiPhone
Artist ebook, 116 pages, 2013

Prompted by the overhaul of the Digital Millennium Copyright Act in January 2012, this part-diary, part-customer-service-chat-transcript is now on sale. Hacked from, design for the iPhone and now sold through Apple's distribution network, this book chronicles one year of using the jailbroken device outside of the delegated telecommunication networks. As an incomplete history of the communities that exist in online forums and illegal software sharing, this sarcastic and frustrated book is a gesture of solidarity to anyone who has ever placed on hold.

$0.99 Available in the iBookstore

 

Story of the Malakand Field Force, by Winston Churchill, 1898, artist’s ePub, 268 pages with historic photographs and maps. 2016

Available for free by signing up for the mailing list.

 

Waging on Aging Centurions

by DHP Daedalus
734 pages of text and photography, 2014

reated from five case studies in New York, Atlantic City, and Miami Beach, this work poses new questions of how power, capital and human resources move through the urban environment through the use of photographs of urban constructions merged with discursive essays. These five photoessays challenge traditional methods of book navigation while problematizing the relationship of text to image toward new understandings of representation and power.

$6.99 Available in the iBookstore

 

Metacontrast 
84 page artist flip book, perfect bound, black and white, 6 x 9 inches, perfect binding, cream interior paper (60# weight), black and white interior ink, white exterior paper (100# weight), 2011,

The book is comprised of four systems of interpretation of how stimulus is differentiated from other stimuli. These systems are shown via flipping the pages of the book.

This book accompanies the performance, "Doppelgänger Effect," 2011. New York, New York.

$15.49 Available in Amazon

 ‘ Gravitation’ On The Electromagnetic Spectrum  Artist book of diagrams, schematics and visualizations inspired by Gravitation, by Misner, Thorne, and Wheeler, using infrared-ink to complete the drawings, 8 x 10 inches, 100 pages, 2015

‘Gravitation’ On The Electromagnetic Spectrum, 2016, artist book, hand-drawn diagram inspired by the illustrations and diagrams of “Gravitation” (Misner, Thorne, Wheeler), specifically those pertaining to black holes. Drawings are completed with UV and IR ink, requiring a light & lens filter to view. 

Edition of 100. 

$15. To  purchase, contact the artist.

Tracing The Path Of A Ray Of Light
136 pages, electronic artist book for computer / iPad, 134 pages, (ISBN 978-1-105-83991-7), 2012.

Tracing The Path Of A Ray Of Light combines the digital photographic images of two books, Computer Images (Time Life, 1991) and General Electric’s Filmamatic Processor (1975) service manual. The former recounts formative technologies of computer images, while the latter pertains to an apparatus that develops traditional x-ray film stock. The digital photographs of the two books are merged via digital opacity filters that simulate the material nature of physical, printed images. 

$0.99 available in the iBookstore

 

 
 

WILLIAM MORRIS' KELMSCOTT PRESS

 
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As part of bookEnd I digitally produced several books from the Kelmscott Press of William Morris. Titles include News from NowhereSidonia The SorceressAtalanta in Calydon,  and The Story of the Glittering Plain. These digital editions use the original page designs of Morris' printed versions--with high resolution detail--and the original font that was painstakingly researched in the collection of the Morgan Library in New York. Read them how the authors and publishers intended them to be seen.

If you've never had the opportunity to read these stories before, they will certainly not disappoint.

Each work is a landmark in genre and expertise. Morris was known for introducing the first Socialist fictions stories that changed the world of English Literature. Charles Swineburne was nominated for the Nobel Prize for literature four years in a row.

News from Nowhere or An Epoch Of Rest, Being some Chapters from A Utopian Romance
by William Morris
96 pages, August 2014

Returning from a Socialist League meeting, William Guest falls asleep and awakes in a utopia where there is no money, class, or work.

$0.99 Available in the iBookstore

 

Atalanta in Calydon
by Charles Swineburne
122 pages, August 2014

Atalanta accompanies a group of hunters to kill a wild boar sent by Artemis.

 

$0.99 Available in the iBookstore

The Story of the Glittering Plain Which has Also been Called the Land of Living Man or the Acre of the Undying
by William Morris
179 pages, August 2014

Hallblithe sets off to rescue his fiancée who has been kidnapped by pirates.

 

$0.99 Available in the iBookstore

 

Sidonia The Sorceress, The Supposed Destroyer of the Whole Reigning Ducal, Vol. 1 & 2
by Wilhelm Meinhold
890 pages, August 2014

The story of a Pomeranian noblewoman who was tried and executed for witchcraft. This English translation was published by William Morris in his Kelmscott Press in 1894, now digitally produced as part of “bookEnd” by Donald Daedalus for the Center for Book Arts, 2014

 

$0.99 Available in the iBookstore

 

bookEnds

bookEnd
Artist ebook, 585 pages, 2014

Within the installation of bookEnd are book endings of iconic incomplete works by authors of the physical books that are included in the installation.

Within the iPad in the installation is a digital book the history of printed books, archival structures and practices, a history of artists' book and the Center for Book Arts, as well as digital artworks. 

$5.85 Available in the iBookstore

A Reply to Mr. Mephisto,”
Artist short story, part 5 of 10, 2 pages,  2014

A timely conclusion to Kurt Vonnegut’s “Armageddon In Retrospect.”

 

$0.99 Available in the iBookstore

A Final Summary,
Artist short story, part 7 of 10, 5 pages,  2014

Inspired by the final short story, “A Summing Up” this rendition merges the melancholic experience of Clarissa Dalloway walking through her garden during a party with the final suicide note Woolf wrote to Leonard. The font for the text is drawn from Hogarth Press’ use of Caslon No 471 and images are inspired from the English garden tradition.

 

$0.99 Available in the iBookstore

The Climax of Kubla Khan,
Artist poem, part 6 of 10, 3 pages,  2014

 A conclusion to Samuel Taylor Coleridge’s erotic poem, “Kubla Khan.” Images inspired by the original text are collaged into the table of contents.

 

$0.99 Available in the iBookstore

 
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CV

Donald Hải Phú Daedalus grew up in the shadow of country's largest public observatory—an area so remote and sparsely populated that it served as the first plutonium-processing plant for the Manhattan Project. Shortly after the oldest human remains in North America were discovered near his hometown, Daedalus attended the University of Washington, where, coincidentally, the remains were to be held during the decade-long legal dispute between the native Kennewick tribe and anthropologists. In that time he completed studies in Continental and Applied Philosophy and interdisciplinary art degree. He was a Ferguson and Richardson Fellow.

In the post-911 climate that re-elected George W. Bush, Daedalus voluntarily expatriated to Spain, where the housing bubble ripened. Living in Barcelona, he studied Ildefons Cerdà's l'Eixample through painting, and drawing. Donald returned to the U.S. to complete his graduate studies at the San Francisco Art Institute, where he focused on new media, film and performance.

In New York, Daedalus was commission by Franklin Furnace to create Doppelgänger Effect, (2010/2011) which merged his interest in sight, urbanism, and sound. In 2012 he staged Doppler Shift, commissioned by the Lower Manhattan Cultural Council as a the continuation of the inquiries of Doppelgänger Effect. Concomitantly, he participated in Sound Development City's first expeditionary residency in Berlin, London, and Zurich, in which he presented Bottle Vox. Returning to New York, he joined Critical Practices, Inc., founded by the first generation Conceptual artist and art critic, Saul Ostrow.

In the fall of 2012, Donald founded Lugubrious New York, a digital artist book publishing platform later that year. The first publication was with British artist Steve Rosenthal.

In 2013 Daedalus held his first solo show in Latin America at LA Galeria in Bogotá, Colombia, entitled Imagined Bonds, Impossible Escape. He created glass sculptures for the exhibition, each capturing a stage in the evolution of the representation of black holes. The sculptures were made while in residence at Campos de Gutierrez, in MedellÍn, the former home to the notorious Pablo Escobar. While there, he was invited to document the world’s largest escalator, located in the impoverished Commune 11, which is the focus of his upcoming book on power and ambulation, and continuation of Waging on Aging Centurions.

A scholarship and residency at The Center for Book Arts brought Daedalus back to the U.S., where he presented bookEnd, a sculptural and digital meditation on the transference of information formats in the consumer economy. His 2014 work The Digization Of Information And Its Physical Components, led to a panel discussion on archival practices with D. Graham Burnett, Matt Wolf, Lyle Shaw, and Emilio Chapela.

The 2014 Whitney Biennial invited Critical Practices, Inc., to facilitate three round table discussions for the Whitney Biennial. Later that year Daedalus curated three discussions at First Street Green park, concerning public space. In 2016 he transitioned to archiving consultant for CPI. 

In 2015, Daedalus presented Acquisition Prototype 1.2 at the Bronx Biennial held at the Bronx Museum of Arts. Acquisition Prototype 2.1 launched at the Redneck Fishing Tournament in Bath, IL, in 2016. Acquisition Prototype 3.1 is permanently installed at a community pond in Củ Chi, Việt Nam.

Additionally, Donald has been a resident at the ISCP, Triangle Arts, Alfred University, and the Betsy Ross Hotel in Miami Beach. He has received support from New York Foundation for the Arts, the Puffin Foundation and a participant in the Buckminster Fuller Institute's Catalyst program. He's an environmentalist, composter and supports human rights through working with the Open Society Foundations, Fair Trials International and the Bronx Immigration Partnership

ARTIST STATEMENT

 

To arrive to new ideas I invent new tools. A tool can be a workflow or a physical instrument or a gamble; they may become part of the project which are being aided or may be discarded. Projects themselves may be tools for a subsequent project or previous endeavor. Even with tools, there may not be clear defined end points to my projects so failure is welcome while the possibilities are being played out. The physical instruments may be reimagined as a sculpture, the ready made or the repurposed; familiar materials include, but are not limited to: wood, glass, projectors, mercury, human remains, cinnabar, megaphones, bicycles, aluminum, cameras or photographs. I make videos in a similar fashion; they may be instrumental or exists as an end point, for a period of time. The genre of videos I create most closely resembles experimental documentary. Artist books have been crucial for me to answer this question of how to work when all works are basically in flux; the familiar format of the book allows me to have succinct beginnings and endings to projects that could otherwise sprawl for decades.

The motivation and inspiration for creative production most closely resembles suspicion. I'm suspicious of what I’ve read, seen or heard and think, "maybe if I visualize it, or visualize it differently, some confirmation or refutation can occur.” In essence, I’m thinking that seeing is believing, or believing is seeing (and that faith, the opposite of suspicion, has nothing to do with either believing nor seeing). At the same time you know it’s easiest to explain a plan by drawing a diagram in the dirt with a stick.

 

Work History (The First Decade)

urbanspace history of book organizationof information onGoing Bookend WagingOn AgingCentrions DiscoveryTo Sprawl authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) invasivespecies gestures Fixed 7Deadly Sins beauty pornography production manipulationof images brandinga city biologicalproclivities socialvalues archive correspondence Canoato Canoe If I Were Beautifuland Symmetrical, Too circuityof (digital)information historicalimaginary taboo tourismfinancialmodel ecology consumerismconsumption contemporary (?)deviant acts gametheory penology Alcatraz:Destination Prison Mi-Lieus DumpCycle DirtyOl Dayz PrisonersDilemma zoologicalperception unrehearsedperformances triump systems amateurism abridgement distillation firsttimes duration classwarfare representation ninjas Asians masking videogames celebrityworship repetitionvariation notstalgia bacchanal immortality John Kellogg health trends inevitabilty exhibitionconventions re-enactment perception Zeuxis Churchshitler Cold Reading Forever Young(Geary Street) FourwayEscher LOST[Time 1, 2, 3] age& aging narrativestructure Forever Young Bearing Uncool Cry Baby Killer Redux doubling echo urban-psycho-experience urbandesign ManhattanGrid socialrelationsthroughform Germanliterature movement movingimages Doppelganger Effect Buildingon Binaries Metacontrast hearingsoundwaves castle-building Olympics gentrification collaborativeaudio Berlin microphones radio concentrationof power movinglight catastrophe special effects late-nightworkers productionof the urbane Systemsof Physical Defense Bottle Vox Sound Construct(s/ed) Doppler Shift HardcopyTransmission 2012 seeingthe unseeable photography images digitalreaders inquisition models neurotransmittors ‘love’troubador astrophysics Imagined Bonds,Impossible Escape Access Error Tracinga Path of a Rayof Light urbanspace history of book organizationof information 2014 Bookend WagingOn AgingCentrions DiscoveryTo Sprawl authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) invasivespecies gestures Fixed 7Deadly Sins beauty pornography production manipulationof images brandinga city biologicalproclivities socialvalues archive correspondence Canoato Canoe If I Were Beautifuland Symmetrical, Too circuityof (digital)information historicalimaginary taboo tourismfinancialmodel ecology consumerismconsumption contemporary (?)deviant acts gametheory penology Alcatraz:Destination Prison Mi-Lieus DumpCycle DirtyOl Dayz PrisonersDilemma zoologicalperception unrehearsedperformances triump systems amateurism abridgement distillation firsttimes duration classwarfare representation ninjas Asians masking videogames celebrityworship repetitionvariation notstalgia bacchanal immortality John Kellogg health trends inevitabilty exhibitionconventions re-enactment perception Zeuxis Churchshitler Cold Reading Forever Young(Geary Street) FourwayEscher LOST[Time 1, 2, 3] age& aging narrativestructure Forever Young Bearing Uncool Cry Baby Killer Redux doubling echo urban-psycho-experience urbandesign ManhattanGrid socialrelationsthroughform Germanliterature movement movingimages Doppelganger Effect Buildingon Binaries Metacontrast hearingsoundwaves castle-building Olympics gentrification collaborativeaudio Berlin microphones radio concentrationof power movinglight catastrophe special effects late-nightworkers productionof the urbane Systemsof Physical Defense Bottle Vox Sound Construct(s/ed) Doppler Shift HardcopyTransmission 2012 seeingthe unseeable photography images digitalreaders inquisition models neurotransmittors ‘love’troubador astrophysics 2013 Imagined Bonds,Impossible Escape Access Error Tracinga Path of a Rayof Light authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) invasivespecies gestures Fixed 7Deadly Sins beauty pornography production manipulationof images brandinga city biologicalproclivities socialvalues archive correspondence Canoato Canoe If I Were Beautifuland Symmetrical, Too circuityof (digital)information historicalimaginary taboo tourismfinancialmodel ecology consumerismconsumption contemporary (?)deviant acts gametheory penology Alcatraz:Destination Prison Mi-Lieus DumpCycle DirtyOl Dayz PrisonersDilemma zoologicalperception unrehearsedperformances triump systems amateurism abridgement distillation firsttimes duration classwarfare representation ninjas Asians masking videogames celebrityworship repetitionvariation notstalgia bacchanal immortality John Kellogg health trends inevitabilty exhibitionconventions re-enactment perception Zeuxis Churchshitler Cold Reading Forever Young(Geary Street) FourwayEscher LOST[Time 1, 2, 3] age& aging narrativestructure Forever Young Bearing Uncool Cry Baby Killer Redux doubling echo urban-psycho-experience urbandesign ManhattanGrid socialrelationsthroughform Germanliterature movement movingimages Doppelganger Effect Buildingon Binaries Metacontrast hearingsoundwaves castle-building Olympics gentrification collaborativeaudio Berlin microphones radio concentrationof power movinglight catastrophe special effects late-nightworkers productionof the urbane 2012 Systemsof Physical Defense Bottle Vox Sound Construct(s/ed) Doppler Shift HardcopyTransmission 2012 authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) invasivespecies gestures Fixed 7Deadly Sins beauty pornography production manipulationof images brandinga city biologicalproclivities socialvalues archive correspondence Canoato Canoe If I Were Beautifuland Symmetrical, Too circuityof (digital)information historicalimaginary taboo tourismfinancialmodel ecology consumerismconsumption contemporary (?)deviant acts gametheory penology Alcatraz:Destination Prison Mi-Lieus DumpCycle DirtyOl Dayz PrisonersDilemma zoologicalperception unrehearsedperformances triump systems amateurism abridgement distillation firsttimes duration classwarfare representation ninjas Asians masking videogames celebrityworship repetitionvariation notstalgia bacchanal immortality John Kellogg health trends inevitabilty exhibitionconventions re-enactment perception Zeuxis Churchshitler Cold Reading Forever Young(Geary Street) FourwayEscher LOST[Time 1, 2, 3] age& aging narrativestructure Forever Young Bearing Uncool Cry Baby Killer Redux doubling echo urban-psycho-experience urbandesign ManhattanGrid socialrelationsthroughform Germanliterature movement movingimages 2011 Doppelganger Effect Buildingon Binaries Metacontrast authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) invasivespecies gestures Fixed 7Deadly Sins beauty pornography production manipulationof images brandinga city biologicalproclivities socialvalues archive correspondence Canoato Canoe If I Were Beautifuland Symmetrical, Too circuityof (digital)information historicalimaginary taboo tourismfinancialmodel ecology consumerismconsumption contemporary (?)deviant acts gametheory penology Alcatraz:Destination Prison Mi-Lieus DumpCycle DirtyOl Dayz PrisonersDilemma zoologicalperception unrehearsedperformances triump systems amateurism abridgement distillation firsttimes duration classwarfare representation ninjas Asians masking videogames celebrityworship repetitionvariation notstalgia bacchanal immortality John Kellogg health trends inevitabilty exhibitionconventions re-enactment perception Zeuxis Churchshitler Cold Reading Forever Young(Geary Street) FourwayEscher LOST[Time 1, 2, 3] age& aging narrativestructure 2010 Forever Young Bearing Uncool Cry Baby Killer Redux authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) invasivespecies gestures Fixed 7Deadly Sins beauty pornography production manipulationof images brandinga city biologicalproclivities socialvalues archive correspondence Canoato Canoe If I Were Beautifuland Symmetrical, Too circuityof (digital)information historicalimaginary taboo tourismfinancialmodel ecology consumerismconsumption contemporary (?)deviant acts gametheory penology Alcatraz:Destination Prison Mi-Lieus DumpCycle DirtyOl Dayz PrisonersDilemma zoologicalperception unrehearsedperformances triump systems amateurism abridgement distillation firsttimes duration classwarfare representation ninjas Asians masking videogames celebrityworship repetitionvariation notstalgia bacchanal immortality John Kellogg health trends inevitabilty exhibitionconventions re-enactment perception 2009 Zeuxis Churchshitler Cold Reading Forever Young(Geary Street) FourwayEscher LOST[Time 1, 2, 3] authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) invasivespecies gestures Fixed 7Deadly Sins beauty pornography production manipulationof images brandinga city biologicalproclivities socialvalues archive correspondence Canoato Canoe If I Were Beautifuland Symmetrical, Too circuityof (digital)information historicalimaginary taboo tourismfinancialmodel ecology consumerismconsumption contemporary (?)deviant acts gametheory penology 2008 Alcatraz:Destination Prison Mi-Lieus DumpCycle DirtyOl Dayz PrisonersDilemma authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) invasivespecies gestures Fixed 7Deadly Sins beauty pornography production manipulationof images brandinga city biologicalproclivities socialvalues archive correspondence 2007 Canoato Canoe If I Were Beautifuland Symmetrical, Too authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) invasivespecies gestures 2006 Fixed 7Deadly Sins authenticity authorship mark making light visibility masterpiece copyingold masters appropriation Signatures Sun Spots culturalappropriation transformationof forms massproduction color onamonapia poetry 2005 Canoa/Kenu Light Studies Mediterranean Light Gran Metro (TMB) authenticity authorship mark making light visibility masterpiece copyingold masters appropriation 2004 Signatures Sun Spots

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